Justice is a French electronia (do people still use that term?) duo from France, I guess you might say they are the younger, cooler brother of Daft Punk in that sense.
I sort of bought this CD on a whim looking for something new and out of my normal sphere of music, and this seemed to fit the bill. Usually at the end of the year I like to buy all of the "Best of 200_" editions of the music magazines and check out what they like. If you read a few of those, you will see the same CDs pop up over and over. Every now and again I'll take the chance on a CD that gets great reviews and buy it out of the blue. It's how I discovered Arcade Fire, Fountains of Wayne, and Rilo Kiley, among others.
"The Cross" was one of those CDs that got great press at the end of 2007. I'm not a huge fan of dance music, but the reviews sounded interesting enough that I though I'd give it a shot. One I saw the badass cover, I was sold.
The music's pretty sweet - almost a rock feel to it instead of a Pet Shop Boys kind of deal. The guys weave quite a pastiche of different sounds into some new and wholly original creation, not unlike The Chemical Brothers did in the mid 90's or Public Enemy's Bomb Squad did back in the 80's.
Their music has lots of commerical potential as well, and Cadillac jumped on them first. Justice's "Genesis" appears in this ad:
(By the way, who expected Cadillac to be that hip? I mean, Justice in one ad, and freakin' Lieutenant Cedric Daniels from "The Wire" in another? Damn!)
As to this song in particular, I think I read somewhere that's it's written about Michael Jackson. Here are the lyrics, as it were, which I've written before, is entirely NOT the point with this type of music:
Do the D.A.N.C.E
1234, fight!
Stick to the B.E.A.T
Get ready to ignite
You were such a P.Y.T
Catching all the lights
Just easy as A.B.C
That's how we make it right
It does sound like a bit of advice to The King of Pop - "You were such a P.Y.T, now you've lost your way. Just stick to funky dance music (The 'B.E.A.T') to find your way back - it's as easy as 'A.B.C'". There's also "The way you move is a mystery" in the verses of the song, which, if you remember the moonwalk, should explain itself.Pretty clever, and I guess the acronymic title of the song is a shout-out to those former hits.
I like how the beginning of the song gives the impression of someone dialing through looking for a radio station. You can barely hear the song at first, until the dialer hits the right frequency at :17. The sing-songy way they have the chorus does make it sound like a kids' playground song, stressing the "easy" part of the advice. The trademarks of Justice are in full effect here in this song: the bubbling, busy, electic bass sound, and the string flourishes. That's really about the entirety of the musical accompaniment, until the "breakdown" at 2:42. Let's check the lyrics there again and you can see the Michael Jackson references:
Under the spotlights
Neither black nor white
It doesn't matter
Do the Dance (do the dance)
As strong as you might
Working day and night
Whatever happens
Do the DANCE (do the dance)
Hmmm..."Neither black nor white, Working day and night?" not hard to see.
A very interesting song indeed. A good tribute to a fallen idol and a funky ass dance tune, too. And, as you might expect from French artistes, a cool video too:
http://www.mediafire.com/?sharekey=48585a8d07b0b9e0d2db6fb9a8902bda
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5 comments:
1. I had forgotten just how rockin' Motorhead is. I recently dusted off several of my Motorhead MP3s and . . . Lemmy is God. Ever heard "Be My Baby"? How about "Snake Bite Love"? Or "Sweet Revenge"? Classic.
2. Electronica? I like it because it inspires the hipster head bob. Lets you just groove like you were born to it. Electronica serves to fill a need for me to have listenable music with an edge that's also cheesy and poppy.
Wasn't Elastica French too? I liked them. Never heard of Justice, but I like the groove of the snippet on the commercial. Video's cool.
There was some other electronica bit on a car commercial . . . Mitsubishi, maybe . . . those damned commercials tend to ruin the underground bands. Eagles of Death Metal was on a commercial. I'm afraid they'll become uber stars and forget their roots. I just don't know if I want to hear "Kiss the Devil" on the radio.
Who'll love the devil?
Who'll kiss his tongue?
Who will kiss the devil on his tongue
I'll love the devil
I'll kiss his tongue
I will kiss the devil on his tongue
1. B.Mo, I am all for the whole "let's broaden our musical palette" but when do you surpass that ironic/open-minded mark and enter the totally fucking lame zone?
2. The song is called Dance, and it's written with dots inbetween the letters. Maybe they should spell it H.O.M.O.
3. Speaking of commercials, have you seen that new McDonald's commercial with the Os Mutantes song? What the fuck?
I like the way she says "trim" -- TREEM. That is so hott.
I, for one, enjoy the musical diversity B.Mo gives week after week. I know you thought I was kidding, but I like the Ronettes, I like big band swing music, a little trip hop, lots of classical, the Dust Brothers, and Motorhead (what about the album Sacrifice? Rocks . . . And Bomber? Rocks).
From Led Zeppelin to The Firm to Bonham to Plant and that bluegrass chick . . . what's her name?
From Eric Clapton to Willie Nelson to Robert Johnson to Waylon Jennings to John Lee Hooker to Mogwai to Willie Dixon to Neil Diamond to Neil Young to the Black Keys to Poe.
Orgasmatron. Who the hell names an album Orgasmatron? Someone who rocks! It rocks.
Although I didn't like much of the rest of the CD, this song is great. How old is a minha menina? I'm hoping this is one of your students.
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